Elliptical shadows on my coffee cup at 4am, Melbourne Airport.
Am back in Auckland for a brief couple of weeks to install a show. So far it has been nice escaping the rat race of Australia and have probably produced more in the last two days than in the last two months. Art Win. Looking forward to perusing the Triennial. Will update on install period when possible.
Another video from Berg London inspired by ol Fischli Weiss on the idea of 'interacting without touching' as we can do so readily nowadays with the various amounts of technological advance at our fingertips...
A music video from OK Go that bears resemblance to Der Lauf der Dinge with more added frills than your average. Speaking of which, the abundant RMIT library had Der Lauf der Dinge for borrowing, which allowed me to show the piece to my flatmate for the first time. On some levels, he prefers the slickness and apparent ending of the Honda advert. What blasphemy.
Have been holed up in studio for past few weeks. Nothing exciting to report other than my new obsession with 'Mono-ha'.
In the grips of GaGa fever this weekend, the Lady herself debuted the new Telephone video last Friday and let me tell you what, I cannot stop watching this video. I really can't. It has been viewed over 13 million times by now and I'm pretty sure a good chunk of that amount was from me alone!
But what's even more awesome is that literary and artistic analysis of said video has already begun. What with it being so steeped in pop culture references and what not, it was only a matter of (short) time. An example is this link posted on GaGa's twitter, where people have a discussion around themes that this video addresses:
- Prison Identity! - The role of the Cyborg in our current contemporary climate (this one is for you Simon!) - Masculine and Feminine roles! - Product Placement issues! - Modern Mass Media! - Technology! (the role of the Telephone as an object of support, annoyance, performance...) - Americana!
The list goes on and on. But my point is, that as much as I like subtlety and not hitting ye viewer over the head, Lady GaGa does the exact opposite (direct Tarantino, Madonna, Michael Jackson references, excessive product placement and high density colour and image) and yet it still works itself into becoming an interesting catalyst for dialogue amongst people who may or may not care much about contemporary art. GaGa reaches the masses. But what do the masses get out of her? Evidence of above shows that not all her fans are silly followers of media nowadays. After all, GaGa has always been very clear about her parody-ness of the spoon fed media culture. It is all intentional no? Bottom line: This girl is smart! (my opinion, of course)
This post also has too many exclamation marks! I will leave you with the video itself, the best nine minutes and thirty two seconds you'll spend today! I'm too excited for you!
- Agnes
p.s. Claudia: On further research, it IS GaGa's sister in the prison!! All intentional again of course! We knew it!
in the studio. Am currently battling large headache and gathering motivation to get into the studio where I predict it will once again be empty. However, as a recap, at the end of last week i had:
- seen two faces in studio - had one advisoral meeting - attended one post-graduate talk - Made zero artworks
I spend my studio hours trawling facebook, reading in the library and dreaming of the other side of the tasman. GAAAAAh I must get more productive.
Whipped by the Ian Potter in the weekend for the last day of the Ricky Swallow exhibition (no photos allowed). Favourite part was the entire back room where they showed a small selection of works in a slightly darkened environment including the skeletal watercolours he painted from postcards in conjunction with the large still life table and an ambiguous wrapped skull sculpture on a plinth.
In other Ian Potter goodness, I stumbled across three things of interest to me. First picture above is a collection of photos shown with an audio of the Bonita Ely performance of Murray River Punch which seemed more funny given the whole Julie/Julia craze that happened recently.
Also picked out a painting that might be of interest to Claud (second photo down) and last but not least, THE Jeffrey Smart painting (third picture) which, if I were to trace the trajectory of my practice to date, would probably be placed around the beginning, if not, at the very start. Oh the hours I spent pastiching this painting and staring at it through the window of books. I did briefly see it when I last came to Melbourne, but it seems so much more relevant now with a bit of distance and having just started my new course...
In other news, forgot my camera at the Ron Mueck, major failage. Have also planned a gallery hop on Thursday where I'm hoping to blitz out a few o' the artist run spaces.
Alone in a new studio which is very similar in size to that of Claudia's Pittsburgh one. It even has a privacy curtain. And will be shared with another person.
Oh the joys of making art in confined spaces! AUT I miss thee.
- Agnes
p.s Ron Mueck at the NGV!! Excitement factor to the max.
Story goes that Agnes started a blog on the advice of the late great Julian Dashper then got lonely and wrangled her fellow studio procrastinator, Claudia, in to help her hold the fort on the New Zealand side of the Tasman while she brain-drained over to Australia for more study. Meanwhile, her partner-in-crime attempts to break free from the clutches of the institution (aka. find a job). Thus continues this blog, a document of the coming trials and tribulations experienced after the familiarity of AUT's WM block is gone.
One day Agnes and Elliot were sitting in front of the macs in studio with Julian Dashper, looking at various art sites and blogs and Julian Dashper said, "hey why don't you guys start up a painting blog?" and we said, "hmm dunno might be a bit of work..." and he said, "come on it'll be fun", and we said, "oh alright then" and he said, "so you'll have it up by the next time i come in?" (as Julian Dashper only comes in every two weeks on a friday) and then Agnes said, "ok", so here it is.
